Extract
from the second edition press release of
The MILANO International MODERN ART SHOW®
MIMAS: the Maximum. Oriented towards the historic
in art, this second edition is confirmation that we are in
the time of “secure” classics. The word among
the gallery owners on the stands was unanimous: not so many
people attending, but a very high ratio of the visitors are
collectors, lightening the work of the exhibitors and generating
a higher financial return.
Ada Masoero, IL GIORNALE DELL’ARTE
The 20th century doc has made its way to MIMAS.
A particularly “informal” second “edition”…here
we see the trends of the moment in small “blocks”…Boldini’s
“sophisticated ladies”, who monopolised the first
event, have been set aside. This MIFAS looks more varied and
mature…and freer to combine the never-to-be-forgotten
works of Sironi and Morandi with the episodes of Italian experimentation
in the aftermath of the Second World War.
Chiara Gatti, LA REPUBLICA
From the old to the modern – always carefully
selected and guaranteed by the approval of the major Gallery
owners, offering the Milanese public the best of the 20th
century in terms of art and reproducing the visual split of
the ideas, atmospheres and feelings of a complex and fascinating
era through selected works of art in a spectacular format.
Domenico Montalto, AVVENIRE
Twentieth century masters are paraded in the
“MIMAS” salon …the very high quality of
the works on sale has called for painstaking screening by
the scientific committee…the small scale of the location
where the exhibition is held and the refined taste of its
décor…(the flower arrangements have been created
by Giorgio Armani) mean that MIMAS feels more like a drawing
room than a market fair…a striking feature is a very
fine bronze by Marino Marini…the sole example (in private
hands: editor’s note) of the six existing in the world,
which are housed in famous museums, including Montreal, Ottawa
and Tokyo…
Carlotta Lombardo, IL CORRIERE DELLA SERA
The avant garde and the experimental will not
be found here, except of course the historic. The stress is
on solid, recognised artists, the artists for which the collector
or, more prosaically, the investor, can opt without risk…
IL GIORNO
…works by the most famous Italian artists
of the 20th century…the signature of the greats on fine
view…a high standard of quality representing all the
most significant trends and movements of the 20th century,
with pride of place given to historic masters and established
contemporaries, who can count on their market…opportunities
for a no-risk purchase… the avant-garde and experimenters
are left in the shadows… rigorous vetting …strict
selection…
Laura Torretta, IL SOLE 24 ORE
MIMAS: the past is reassurance of the future.
At the Permanent exhibition is the “Salon” dedicated
to modern “classics”. It is a fresh encounter
with a small select group of exhibitors, all of them specialists
in modern art. Among the new arrivals are the Galeria Barbié,
of Barcelona and Madrid, two of its works being an oil painting
on wood by Ives Tanguy, and “Femmes dans les maisons”,
a work by Albert Gleizes. Another new entry, is the Milanese
Studio Guastalla, represented by its 1945 bronze “Horse”
by Marino Marini…two portraits by Modigliani…an
early Gentilini painting…two works by Sironi…
Ada Masoero, IL GIORNALE DELL’ARTE
The Milan International Modern Arts Show is
a window on the art of today.
LEGGO
On 6 May 2004, at the palazzo of the Società
per le Belle Arti ed Esposizione Permanente in Milan, the
second edition of the Milan International Modern Arts Show
– MIMAS – will open. This will bring together
a group of many selected galleries of modern and contemporary
art from both inside and outside Italy, creating an event
entirely dedicated to what has been created by the great masters
of the 20th century in the fields of Painting, Sculpture and
the Decorative Arts. The philosophy of MIMAS and its choices
is rigorously directed towards the quality and authenticity
of the works exhibited, which are guaranteed by painstaking
selection on the part of an expert vetting committee and the
impeccable nature of the services offered both to exhibitors
and to visitors.
CLUB ART
At MIMAS, a selection of international galleries
is exhibiting works of the great masters of the Twentieth
Century…the leading interpreters of the figurative and
abstract streams of 20th century art…
CITY
…a special moment to enjoy the eternal
works of art of the masters of the century that has only recently
come to an end and those of the most established contemporary
artists…the MIMAS…the most eminent gallery owners
and international art publishers, all brought together in
a single exhibition context…
LIBERO
From MIMAS to Miart. No, these are not secret
codes; they are the names of two modern and contemporary art
shows following one after another …over the present
few days. In short, there is no peace for the collector….
Alberto Fiz, MILANO FINANZA
…it is a prestigious stage setting that
reflects the liveliness of a constantly changing market ...
the prestige of the exhibitors, the value and fascination
of the works and the acknowledge importance of the artists
present: all these make the event the most interesting market
place on the Milanese scene, the best possible combination
of the cultural and economic power of Milan with the high
quality of the art on offer…MIMAS is the last in the
series under the distinctive title of “The Milano Spring
Art Exhibitions”.
L’INFORMATORE EUROPEO
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